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Green Room DP, Sean Porter, Discusses Adapting for the Narrative

Sean Porter, of the indie darlings Kumiko The Treasure Hunter, Eden, It Felt Like Loveand I go in depth on the technical and conceptual aspects of his latest hit Green Room’s cinematography. We discuss small details like T-Stops and Focal lengths, and broader intentions like visual arcs brought on literally, not just metaphorically, by the script.

Porter began his career in the midst of the digital revolution which allowed him to shoot on 35mm and 16 while toying with digital from the advent.

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