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Andrew Droz Palermo || A Process Close To Music || The Cinematography Of A Ghost Story

Would you have guessed A Ghost Story’s aesthetic was primarily formed instinctually day by day? I wouldn’t have, and I didn’t. The fact derailed everything I thought I knew about Andrew Droz Palermo (Cinematographer: You’re Next, Rich Hill, A Teacher) and David Lowery’s (Writer/Director: Ain’t Them Bodies Saints, Pete’s Dragon) formal motivations and forced the interview to operate in an intuitive mode similar to the film’s process.

Arri's Alexa SXT-W Will streamline Wireless and improve ergonomics

The Alexa SXT-W’s (W for Wireless) primary addition to the already exceptional Arri SXT platform, is the addition of a built-in three-radio system that works harmoniously to avoid the usual interference. A built in, low-latency, 10 bit, HDR video transmitter, WiFi, and ECS (Arri’s Camera+Lens Control system) comprise the three and hopes to improve upon the SXT’s ergonomics by reducing the need for external cabling and video transmitters. 

Sean Porter D.P || Rough Night ||

I interviewed Sean Porter for the first time early last year about his work on Jeremy Saulnier's slasher/thriller Green Room. The second time around was a bit brighter, a beach-side domestic dramedy: Mike Mill’s coming of age epic 20th Century Women. And here we are at interview three with his most expensive film, the Sony funded studio comedy Rough Night starring Scarlett Johansson, Kate Mckinnon, Zoe Kravitz, Jillian Bell, Ilana Glazer and which was directed by Broad City’s Lucia Aniello & cowritten by Paul W. Downs. In the gamut of the three, I’ve no clue where to place it. 

 

On a technical, on-set structure spectrum I’ve got a better idea. Rough Night moved the fastest. Sean opens up about his first experience on a big budget studio film, how he managed to light at a breakneck multi-camera TV-style pace with bare minimum prep, and the perks of industry veteran reinforcements. Outside the indie/studio comparisons, we talk form: how to photograph a comedy, and how the 2.39 Aspect Ratio can elevate the genre. 

 

Sean Porter D.P || 20th Century Women || Interview

Sean Porter photographed two of my favorite films of 2016. Released first was Green Room, a brutal siege horror exercise which we talked about earlier in the year, and the other is 20th Century Women, which, during comparison, Sean describes as “a coming of age, sun-drenched, family dramedy”. They could not be more different. Although, in terms of his approach to exposure, are surprisingly similar. Sean deflates the conceptual stigma surrounding a fluid, less controlled set (and their practical limitations) and brings to light their ability to let intuition breathe. 

15 Famous Firsts in Film

The film industry has been around for well over 100 years. Today, Cinelinx looks at some of the famous firsts that set the foundation for the movie industry and made cinema what it is today.

Five Important Lessons Hollywood Needs To Learn

Filmmakers think they know what we want, but do they really? Do the executives sitting behind big, round tables in the executive offices of the major movie studios really have their finger on the pulse of the public? In fact, it’s questionable if even some of the creative talent, such as big name directors really understand what the people want. (Looking at you, Zack Snyder!) Is the film industry headed in the right direction? Well, we’re offering some free advice to Hollywood today. Cinelinx is listing 5 lessons that the people behind the cameras and desks need to know.

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